Top everything off with a Capra-esque Christmas Eve finale and a closing line that sends everyone home smiling, and it all adds up to a monster hit. He also supplies Ali's hands, which should clinch it. And if I could bet on an Oscar win right now, it would be Kris Bowers for Best Original Score. You never see a disconnect between hands and body as he's filmed against a variety of backgrounds. It doesn't get any better than it gets here - Ali's piano playing is every bit as convincing as Margot Robbie's ice skating in I, TONYA. When an actor plays a piano player, there's always the challenge of making the playing look believable.
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And he makes a believable Italian-American, which is impressive considering that he's Danish.I'm allergic to preaching and heavy-handedness in movies no matter what the message, and with the exception of one borderline scene, I'd say that the movie nicely sidesteps these proclivities that surface so often in socially-conscious films.The music and FX are excellent. Ali is certain to get another nomination Mortensen's performance may be a little too broad to garner one, but he delivers exactly what's called for. Mahershala Ali makes a nice Oscar follow-up playing the aloof pianist passenger to Viggo Mortensen's "b.s. That's not a setup that a Hollywood script written from scratch would ever have come up with.The two lead actors really click. Consider: A college-educated concert pianist of Jamaican descent hires a temporarily-unemployed Italian-American nightclub bouncer who's streetwise but academically dim to drive him to venues in the Deep South back in 1962. There's definitely an air of authenticity to the events as they unfold that could never occur with a purely contrived plot. Think this is largely because it's based on a real-life story about the beginning of a lifelong friendship - a story that has writing participation by the son of one of the real-life characters.